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INORI – PRAYER-

INORI – PRAYER- from WOW inc on Vimeo.

About the Work
The latest work to utilize real time tracking and face projection mapping using a state of the art 1000 fps projector and ultra high speed sensing, “INORI-PRAYER-,“ has been released. This project was born when Nobumichi Asai (WOW) approached collaborators TOKYO?lab.tokyo.jp/?, the dancing duo AyaBambi, and the Ishikawa Watanabe Laboratory at the University of Tokyo.
This project began when songs were created about ‘life,’ a theme proposed by Tanigawa (TOKYO), who acted as this project’s director. Creative and technical director Asai (WOW) and CG director Shingo Abe (WOW) completed visual production and programming based on inspiration they obtained from the songs. Aya Sato added the choreography, and TOKYO completed the project by making it into a video.
‘Radioactive’ is the inspiration that Asai felt from music. ‘Radioactive’ wields destructive power, and from that brings ‘death’, ‘suffering’, and ‘sadness’. And then, the ‘opportunity’ to overcome those things. Accompanied by the overwhelming performance of AyaBambi, a visual synchronization of black tears, skulls, faces being severed, Noh Masks of agony and the Heart Sutra have sublimated into a single piece of work.
The face mapping system made it possible to follow intense performances, which was impossible until now, thanks to the use of the state of the art 1000 fps projector DynaFlash?1 and ultra high speed sensing. The initial dilemma of speeding up the tracking to the detriment of performance latitude was resolved by the WOW team, Professor Watanabe, and Tomoaki Teshima (EXVISION), who trimmed several milliseconds during a trial and error period that lasted approximately three months, enabling the completion of this system?2. The projected image looks like it is integrated into part of the skin, and the expressions on a subject’s face, when it is distorted or transformed, are exponentially enhanced.
*1: Jointly developed by the Ishikawa Watanabe Laboratory at the University of Tokyo and Tokyo Electron Device, and commercialized by Tokyo Electron Device.
*2: Dynamic projection mapping technology, developed by the Ishikawa Watanabe Laboratory at the University of Tokyo, was used for hand tracking and projection mapping. Face mapping technology, developed by WOW Inc., was used for facial tracking.

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Full Length / Live Face Projection Mapping with Kat Von D

Full Length / Live Face Projection Mapping with Kat Von D from Wildbytes on Vimeo.

First-ever real-time face tracking and projection mapping performed at a live event, on stage. ALL images recorded live, No post-production added.

A live / real-time face projection mapping event where 3D rendered images were projected over Kat Von D’s face, following accurately her movements. Custom software and a high-end tracking system were used to track her body movements and adapt the projection content in real-time to her torso, neck and face. Original music composition played live by a string quartet.

Watch the Making Of Teaser video here: vimeo.com/142858480

CREDITS

On Stage Performance
Kat Von D

Project Direction
Julio Obelleiro

Creative & Lead Art Direction
Casilda Sánchez

Art Direction
Guillem Castellvi

Production Designer
Daniel Torrico

3D and VFX artists
Manuel Cámara
Nachei Sánchez
Juanjo Bernabeu
Carlos Diéguez

Creative Coding
Nacho Cossío
Carles Gutierrez
Eduardo Jiménez

Production and Project Management
Andrés Moreno
Leticia Buenadicha
Jorge Torrico

Music Composition and Direction
Alicia Reyes

Musicians
Carlos Camara
Rafael Martínez
Rocío Lopez
Emilio Maravella