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Abstract Reaction from Mehdi Hadi on Vimeo.

experimental project called Abstract Reaction. It’s about style and exploration of different representations of a spherical form. By using different methods and textures (Particles,liquid,smoke etc) I tried to make every representation unique with its own dynamic and animation in an abstract way, without losing a round shape. My goal was to see how far I could go with a simple concept and I came up with 50? but for ediTing purposes and in order to stay dynamic, I preferred to show only 21 ( however I will showt the others in a breadown or a tutorial) Thank you and I hope that you’ll enjoy it
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Direction / Animation/ Design by Mehdi Hadi
Soundtrack: “Minimalism” by Fugu vibes
3D: Cinema 4D, Realflow, TurbulenceFD
Renderer: Octane Render,
Compositing: After Effects,
______________________
Contact:
Mehdi, Hadi
Instagram: instagram.com/mehdi4d/
Mail: mehdi.hadi@free.fr

Abstract Reaction

Posted on 05.12.17

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Howler Monkey by Meier & Erdmann from Víctor Doval on Vimeo.

Official videoclip for the track Howler Monkey by Meier & Erdmann Released on the Moniker Eggplant Label (monikereggplant.net). Video created by Victor Doval (produccionesluminosas.com).

The video shows a landscape created synchronously with the music. The generation of the visuals is based on the sound spectrum. The diverse frequency bands have been used to algorithmically define the visual parameters such as geometries, materials and lightings.
Through this sonic analysis and spectral decomposition each element and texture of the track has been visually processed.
The whole sequence has been created in a procedural way where the definition of every part has been based on mathematical integrations.
To manage all this data flow I worked with Processing and Blender. The Blender add-on Sverchok has been the cornerstone in the creation and transformation of the geometry.

The initial idea came from the understanding of music as a temporal journey, a changing landscape that is perceived via the ears. The track Howler Monkey written and performed by Meier & Erdmann invites the listener to travel through the subjective/individual and the abstract.
The harmonic evolution of the track is associated with a 24 hour time lapse experienced in 290 seconds. From sunrise to sunrise the video offers a dreamy trip that opens doors for contemplation and to emotions the track might evoke.

Check Meier & Erdmann’s album – The ‘Howler Monkey’ LP: monikereggplant.bandcamp.com/album/howler-monkey

Check my other procedural works and gif experiments: blog.lightprocesses.com/

Check Meier & Erdmann on soundcloud: soundcloud.com/meierunderdmann

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Beeple is Mike Winkelmann.
A graphic designer from Appleton, Wisconsin, USA. His short films have screened at onedotzero, Prix Ars Electronica, the Sydney Biennale, Ann Arbor Film Festival and many others. He has also released a series of Creative Commons live visuals that have been used by electronic acts such as deadmau5, Skrillex, Avicii, Zedd, Taio Cruz, Tiësto, Amon Tobin, Wolfgang Gartner, and Flying Lotus and many others. He currently releases work on Flying Lotus’ Brainfeeder imprint.

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FlightLapse #01 – MilkyWay from SkyProduction on Vimeo.

Flying through the night, while the world beneath us is at sleep, is a pretty common thing as a longhaul pilot. Late evening departures lead to far distant destinations like Singapore, Hong Kong, Sao Paolo or J’burg. Depending on the direction of the flight the crew and the passengers either have a short night up ahead if flying eastbound or almost eternal darkness if headed westwards. Read the full article on: beyondclouds.ch/2017/04/05/vuelo-nocturno-the-magic-of-flying-at-night/

FlightLapse #1 – MilkyWay

Posted on 05.04.17

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INORI – PRAYER- from WOW inc on Vimeo.

About the Work
The latest work to utilize real time tracking and face projection mapping using a state of the art 1000 fps projector and ultra high speed sensing, “INORI-PRAYER-,“ has been released. This project was born when Nobumichi Asai (WOW) approached collaborators TOKYO?lab.tokyo.jp/?, the dancing duo AyaBambi, and the Ishikawa Watanabe Laboratory at the University of Tokyo.
This project began when songs were created about ‘life,’ a theme proposed by Tanigawa (TOKYO), who acted as this project’s director. Creative and technical director Asai (WOW) and CG director Shingo Abe (WOW) completed visual production and programming based on inspiration they obtained from the songs. Aya Sato added the choreography, and TOKYO completed the project by making it into a video.
‘Radioactive’ is the inspiration that Asai felt from music. ‘Radioactive’ wields destructive power, and from that brings ‘death’, ‘suffering’, and ‘sadness’. And then, the ‘opportunity’ to overcome those things. Accompanied by the overwhelming performance of AyaBambi, a visual synchronization of black tears, skulls, faces being severed, Noh Masks of agony and the Heart Sutra have sublimated into a single piece of work.
The face mapping system made it possible to follow intense performances, which was impossible until now, thanks to the use of the state of the art 1000 fps projector DynaFlash?1 and ultra high speed sensing. The initial dilemma of speeding up the tracking to the detriment of performance latitude was resolved by the WOW team, Professor Watanabe, and Tomoaki Teshima (EXVISION), who trimmed several milliseconds during a trial and error period that lasted approximately three months, enabling the completion of this system?2. The projected image looks like it is integrated into part of the skin, and the expressions on a subject’s face, when it is distorted or transformed, are exponentially enhanced.
*1: Jointly developed by the Ishikawa Watanabe Laboratory at the University of Tokyo and Tokyo Electron Device, and commercialized by Tokyo Electron Device.
*2: Dynamic projection mapping technology, developed by the Ishikawa Watanabe Laboratory at the University of Tokyo, was used for hand tracking and projection mapping. Face mapping technology, developed by WOW Inc., was used for facial tracking.

INORI – PRAYER-

Posted on 04.07.17

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Deeply Artificial Trees from artBoffin on Vimeo.

This artwork represents what it would be like for an AI to watch Bob Ross on LSD (once someone invents digital drugs). It shows some of the unreasonable effectiveness and strange inner workings of deep learning systems. The unique characteristics of the human voice is learned and generated as well as hallucinations of a system trying to find images which are not there.

Deeply Artificial Trees

Posted on 04.07.17

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Baya – Gate 212 / Gimme That Dive from John Christian Ferner Apalnes on Vimeo.

Credit /
Artist / Baya
(soundcloud.com/officialbaya – facebook.com/officialbaya)
Direction / Animation: John Christian Ferner Apalnes
(AKA I Saw John First) – isawjohnfirst.com/


Made these visuals a while back for the artist Baya.
Did the visuals using various techniques such as strata cut, paint on transparent paper and 2d animation in Photoshop.

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VJLoops.com Presents Sugar Doll by Dubassy from VJLoops.com on Vimeo.

Exclusive visual pack release from Dubassy on VJLoops.com featuring a beautiful woman with custom designed candy skull Mexican Day of the Dead face make up.

Visit: Dubassy’s portfolio and download this pack now

Download high quality visuals and stock footage for your special events or projects. Start your download today at VJLoops.com!

#vj #vjloops #visuals #edm #dubstep #musicvideo #promo #demo #vjmix #clubbing #leds #ledvisuals #vjclips #stockfootage #royaltyfree #concertvisuals #festivalvisuals #dj #electronicmusic #motiongraphics #animation #3d #fx #specialeffects #house #trance #rave #vjlife #clubbing #mapping

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Max Cooper & Tom Hodge – Symmetry from Kevin McGloughlin on Vimeo.

Max Cooper

Symmetry is one of the most fundamental principles of nature, and also forms the basis of music. So this music video is an important early chapter in the Emergence audio-visual project, which starts with visualisations of the basic building blocks of nature, setting the stage for the physical universe to come into being, and later planets, life, civilisation, and technology (the whole story and project is explained at: emergence.maxcooper.net).

Symmetry is the idea that one aspect of a system can change while another remains constant. The idea of natural laws themselves, rely on the forms of symmetry that mean the same forces will apply to you as they do to me, independently of our position in space or time. And scientists searches for natures symmetries lie at the heart of much of our best models of reality (see Noether’s Theorem or more recent uses of symmetries in things like the ‘amplituhedron’!).

The principle is also responsible for music, in that our enjoyment of tonality, melody, harmony and rhythm comes from our subconscious appreciation of different types of patterns (i.e. symmetries) in sound waves.

The idea of Symmetry was explored in the video by Kevin McGloughlin, using simple symmetrical forms (primarily the circle), and symmetrical operations applied to them – rotations, translations and reflections. The animation demonstrates the beauty of this simple concept when applied in an iterative journey towards ever increasing complexity, both visually and musically.

The audio track originally came from preparations for a live piano and electronics show with Tom Hodge. I had some chords and glitches we were playing with in combination with a simple piano motif. We decided to try some live Fender Rhodes with it during practice and it all came to life.

Luckily we recorded the whole session so I had a load of stock content to play with when it came to turning the project into the album intro. My reasoning was that the intro should be about symmetry because of it’s basic role in nature, and the development and form of the track, going so glitchy from a simple melodic motif starting point, should work with applications of ever more complex symmetrical manipulation – emergence from symmetry, just as Kevin delivered.

Amazingly, Kevin didn’t use automated sync points from the stems of the audio project – or to put it another way, Kevin painstakingly set up all of those edits by hand, hats off to him for his perseverance on that!

Thanks for having a read, watch and a listen! – max
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When I first heard Symmetry I was blown away by its impact and it really struck a chord with me… On hearing the concept for the track, this feeling was empowered tenfold. After much discussion with Max, we arrived at a conclusive concept for the visual.

I represented conservation laws by the use of a simple circle repetition. This circle form took on many new characteristics and evolved in complexity throughout the course of it’s journey, though every new form is an evolution / adaptation of the initial circle. I used a variety of techniques in an attempt to convey the idea of this ever evolving complexity within symmetry.

Starting with minimal moire patterns, moving into 3d depth and finally ending up with massive distortions and adaptations using a technique I developed ‘Digi-Cut’, displaying various moments in time offset by tiny fractions. This was an effort to demonstrate pre-universe ideas and the introduction of organic matter in relation to symmetry.

It was an absolute honour to work on this project with Max, in particular on ‘Symmetry’, which is my personal favourite piece on Emergence.

Kevin McGloughlin

Follow Max Cooper
maxcooper.net
facebook.com/maxcoopermax
twitter.com/maxcoopermax
soundcloud.com/max-cooper

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REACTION from dfmn on Vimeo.

VISUALS: DFMN
AUDIO: CYPHERAUDIO

dfmn.work
cypher.audio

soundcloud.com/cypheraudio/breathe
behance.net/gallery/48608047/REACTION

REACTION

Posted on 02.22.17